Showing posts with label Mattison. Show all posts
Showing posts with label Mattison. Show all posts

Wednesday, 17 May 2023

A Richmond (Yorkshire) 'Blow-Up'

My mother, Audrey Carr (née Blease), aged two, with her mother Julia Blease (née Mattison, later Ghent)

Antonioni's 1966's film Blow-Up is a firm favourite of mine, so much so that I named my book of short stories inspired by details in old postcards Blow-Ups. I've blogged about that before and I've also blogged about the wonderful shop that my great-grandparents ran in Richmond, Yorkshire, before WWII: Mattison's Bazaar. In this post I'm going to combine the two.


The urge to write about our family history was strong in both my mother, Audrey Carr, and her mother, Julia Ghent (pictured together, above). And it seems it's just as strong in me, a need that nags away at me and demands to be fulfilled. In fact I've been planning to write about my mum and other members of my family for years and have been accumulating memories and photographs and source material until I now have a mountain of anecdotes and insights just begging to be written up -- except that I've made the task so daunting, now, that I don't seem to be able to get a foothold on that memory-mountain and it's proving hard to get down to the job of turning it all into a book. Where to start? How far back should I go, in order to set up the back story that will make sense of my mother and me and our strange, funny, sad entanglement?

Really, I just need to jump in. I can sort out the final shape of the story once I've written it! So, as I way of coaxing myself into making a start, here's a Richmond 'Blow-Up' which I find very pleasing. My great-grandparents John (usually known as Jack) and Julia Mattison were the figureheads of my family when I was growing up and it seemed as though everything we stood for as a family flowed from them. My great grandfather was a skilled tinsmith who could make almost anything out of sheet metal. My great grandmother was a born businesswoman, tremendously hardworking and singleminded. She ran an ambitious shop, which she named Mattison's Bazaar, in the 1920s and 1930s. It occupied two sites in Richmond market place at different times - I'm not sure of the exact dates when it was at each premises. In the map above, I've coloured them in: the yellow block is next door to the King's Head, the grandest hotel and drinking spot in Richmond. But today we're focusing on the pink location, down at the far end of the market place, next to the much smaller Richmond Hotel. The address was no. 30 The Market Place and it was a long narrow plot, with my great grandfather's tinsmithing workshop down at the bottom, near the little cut-through known as 'Waterloo' (although I see it's now labelled 'Waterloo Street' on Google StreetView).
     The sepia postcard above dates from 1936 and shows Trinity Church (famous for having shops built right up against it) and the Market Cross.This is as close as I can get to the same view on Google StreetView today:

But if we zoom in between the church tower and the obelisk of the Cross it's possible to make out Mattison's Bazaar:

The fascia reading 'Mattison's Bazaar' can be seen fairly clearly above the shop window of the shop on the left. Here's more or less the same closer-in shot on Google StreetView:

In the more recent shot, the shop that was the Bazaar is the central red-brick building, one of two occupied by the Yorkshire Trading Company (in fact I've taken it from 2018 StreetView as there were less cars in that version). In May 2023 (time of writing), it's actually Elixir restaurant.
     It's thrilling for me to see the shop during the period when it was in operation. The rather grand door to the right of the shop window was the entrance to the living quarters above the shop. And I think this derelict structure must be the remains of Jack Mattison's workshop behind the shop:

Here he is inside it (the figure on the right), with his two employees (one of whom was Les Fowler -- on the far left):

He had a good reputation as a maker of metal goods such as pans and kettles. Here's a letter from a satisfied customer (in 1950) who wants to buy another teapot from him. Ms Singh lived a long way away, in Cambridge, so she must have rated Jack's workmanship. I love the way the letter found him even though the address was only approximate. He was very well-known in the town.
But let's continue with our 'blow-up'. We can't really zoom in much further as there isn't much more to be seen in the details of the postcard but... if we focus on the shop door, between the two windows, we can see a vague shape:

Could it be the pale oval of a woman's face, with a white collar below it? I think it could. And there's a reason why I feel fairly confident about it. My great grandmother was a stickler for customer service and always liked a member of her staff to stand at the door of the shop to welcome customers in -- more often than not she would do this job herself (see below). When my granny, Julie, was obliged to leave school at fourteen so that she could work in the Bazaar (something she resented bitterly but, alas, it wasn't at all unusual for the times), she also spent many hours on duty at the shop entrance:

In the right-hand photo, Julie looks as though she has only recently left school; she's older in the picture with her mother. I definitely think that fuzzy oval in the 1936 postcard could be my great-grandmother's face, don't you? In 1936, she would have been about 52 and Julie 26, so I think that photo on the left is of around the same date. I adore the glimpses of the lovely things that were for sale in the shop in these images: the beautiful dolls in particular. 
     These photos reconnect me with my family so powerfully. It's just the shot I needed to get me started with my memoir in earnest.

Sunday, 2 February 2020

A virtual walk around Richmond (Yorkshire)

Although I haven't lived there for decades, I still have a very strong sense of coming from Richmond in Yorkshire. My family on my mother's side have lived there for at least two hundred years and, before that, they lived in and around the villages of Thoralby and West Burton near Aysgarth, in Wensleydale, up the dales from Richmond. The men seem to have been mostly shoemakers and stonemasons, with a few soldiers thrown in.
My favourite painting of Richmond, by John Aldridge, 1955
I'm currently preparing to do a course in memoir-writing at the Faber Academy in London in a few weeks' time. The tutor will be Julia Blackburn and she's the reason why I have paid to attend the course (being normally unwilling to part with money for such things -- my memorable weekend with Martin Parr was the last time I put my hand in my pocket for such a thing). I've loved Julia's books for years and really admire the way she combines original and fascinating subjects with personal material so beautifully.
I've read and loved all of these books by her. My favourite is The Three of Us, because I'm so interested in families. I want to write a family memoir myself and have been gathering source material for it for a long time. I'm hoping the course is going to galvanise me into choosing one of several directions that I can see it taking and then getting on and writing it.
     There's a great reading list for the course which I'm working my way through -- memoirs characterised by a variety of forms, including Jackie Kay's autobiographical poem, The Adoption Papers and Giles Waterfield's novel about his grandparents, The Long Afternoon. The course is structured around the reading list and, I think, will give us the chance to try out different forms for our own autobiographical writing. I'm really looking forward to it.
If only my first home had been the beautiful Gothic house in the centre of the photo but it was the tiny cottage squeezed in next door
As soon as you start thinking about your family and your past, the memories crowd in. My approach is to try to capture as many as I can, even if they're fragmentary. I have hundreds of notes already which I'm going to have to try to put into some sort of order. Many of my earliest memories are located in the tiny cottage above, the one with the deep porch. It belonged to my maternal grandmother and she rented it to my Mum and Dad when they were first married. Inside the rooms were pretty spacious and it didn't feel cramped. There was a back garden that you could also reach down an alley that started a bit further along the road.

The road, called Newbiggin, was cobbled, and my actual earliest memory is of setting off in a car along Newbiggin and, before we reached the end, the back door beside where I was sitting swinging open. I saw the cobbles rushing along beneath me through the opening. No back-seat seatbelts in those days but I didn't fall out.
Newbiggin was down in one of the older parts of Richmond, but when I was nine we moved up to Maison Dieu (pronounced in a no-nonsense Yorkshire way as 'Mason Dew' -- the name came from an old religious hospital that had been there long before). This was a homecoming for my Mum because she had grown up in the tall house at the far right of the postcard above. The postcard shows a view of Maison Dieu from the River Swale down below (and my junior school is in the bottom left corner too). Here's the view from up on the road itself:
My great-granny was very entrepreneurial and, having run a 'department store' called Mattison's Bazaar down in the market place, when WWII broke out and things weren't so good in retail, she bought the red-brick house and let out some of the many rooms to boarders.
     Now imagine that you're crossing the road from that house, at a slight angle to the right, where the pavement rises above the level of the road. You'll be at the front gate of my new home.
The house with the blue door and the white chair outside was now our house. I lived there very happily until I went to university. Ultimately, my Mum lived there on her own before she moved down south to live near me, at the very end of her life. The house was sold and became a Bed & Breakfast. In October 2019 it 'starred' in an episode of Four in a Bed on Channel 4, which gave me a very creepy opportunity to snoop around my own former home. It had been changed around inside: bedrooms had been converted into en suite bathrooms and everything faced in a different direction from before. It was very therapeutic for me to see inside again because it magically cured me of the sad nostalgia I used to have for it!
This picture (above) is looking down Maison Dieu from the top of the road. The red-brick house is on the right, but you can only see the tiniest bit of it; my old house is down on the left, again not really visible. The two white buildings with the little bed of shrubs in front of them were both shops when I was growing up. The smaller, cream building was Mrs Boddy's shop and my mother would constantly send me along there to get things for our tea -- we never planned ahead, it seemed! And both shops had copious stocks of sweeties. I swear I was hardly ever without a quarter of something in my pocket or a chocolate bar. We just didn't think about sugar being bad for us in those days.
This is the aerial view of Maison Dieu. You can see it coming to a point on the left, where it meets Darlington Road, and you can see the little patch of shrubs and work out where the two sweet shops were. You can also see B&B at 43 marked, which was my old house.
Above is the same pointed bit, from an old map. And I've overlaid them as well:
The little area round the corner from the two shops is known as Anchorage Hill, because in 1274 an Anchorite nun was shut up in an 'anchorhold' or cell next to a tiny chapel and remained there for the rest of her life (food and water could be passed to her through a 'squint' or narrow gap in the wall). There's no sign of her cell any more but the chapel building is still there. It was eventually converted into three tiny almshouses in 1618. On the old map above you can see it labelled as 'Bowes' Hospital'. The patron of the almshouses was Lady Eleanor Bowes.
This is the Hospital from one end (above) and this (below) is it from the other end:
It's right next to a garage and so there's a monstrous sign obliterating it. I'm not sure whether anyone still lives there -- I think they might do -- but in 1871 my four-times great grandmother, Jane Mattison was one of the three tenants.
Her husband Jonas, a stonemason, had died in 1855. In the previous census, in 1861, she was still living at home at the bottom of Richmond, in Bargate, with a granddaughter, also called Jane, living in, and a boarder to bring in a spot of rent. But at some point after that she moved up to the almshouses. She lived until 1879, probably in the same place. I think relatives of ours named Thwaites lived in two of the other houses on Anchorage Hill, so they probably kept an eye on her.
Incidentally, this portrait of Elizabeth I, by an unknown artist, was found in one of the almshouses and is now kept safe in Richmond Town Hall -- I wonder if it was in the one my great granny lived in?
If you're still with me on this virtual tour of Richmond, we're turning round again now and heading back towards the town centre.
This is the war memorial at the top of Frenchgate. The big beast of a house on the right is Oglethorpe House, for many years painted a lurid mustard yellow. My mother lived there when she was very little, with her mum and dad, but not for very long. When I was three I went to kindergarten there, which I loved, even though I always had terrible scabs on my knees from falling over on the gravel paths that were all we had to play on.
We can look down Frenchgate from the war memorial: my grandparents and aunts and uncles have lived in so many of the houses in this street!
We're continuing along Pottergate, past this special scented garden intended to appeal to blind people as well as the sighted. I always insisted on running along the wall of the garden when I was little and once, inevitably, fell off, into the rose bushes. I've still got the scar where a thorn just missed my eye.
You can see the red-brick end of a house, on the left. It's the start of a little row of three Victorian houses.
The second and third houses in the terrace share a porch. I'm not going to give anything away here but I stepped through one of the doors under that porch quite a few times when I was a teenager. Teenage kicks were had in the attic... that's all I'm saying (pretty innocent kicks, actually, but even so). Over the road is another gorgeous Gothic house which was converted into a 'cottage hospital' in 1899. It's now a funeral directors'. The road that opens up between the two houses is Quakers Lane, where my best friend lived in a lovely house, just where you can see the orange barriers and some workmen.
This was the bottom of their drive and she and I spent sooooo much time sitting on that bench, seeing who might be coming along.
I could go on and on, wandering around Richmond, to Billy Banks Woods, round the Castle Walk, up and down Lombards Wynd and into every nook and cranny, but I'll stop there. Even though I haven't lived there for over thirty years, I still feel as though I know every paving stone.

Sunday, 10 November 2019

Can I find my Irish ancestor Jane? -- short answer, no

Image result for tracing your irish family history on the internet
Just out from Pen and Sword Family History -- could it solve my family history conundrum?

I was very kindly given a review copy of Tracing Your Irish Family History on the Internet by Chris Paton (Pen & Sword Books, £14.99). I decided to review it by using it to see if it could help me solve the biggest mysteries in my own family tree: what was my 4x great grandmother's maiden name and where did she come from? All I know is that she was also called Jane (like me) and came from Ireland.

This document was written by my great grandmother, Julia Mattison -- she was only a Mattison by marriage but she was very keen on the Mattison family history. We were a family very much rooted in Richmond, North Yorkshire, where I also grew up. Earlier generations of the family lived up Swaledale, at Thoralby. We were not wealthy by any means but we were artisans for the most part (or the men were): stonemasons, iron workers, shoemakers, upholsterers. Great granny Mattison ran Mattison's Bazaar, a department store in Richmond marketplace, and her husband John, who was a tinsmith, made pans and kettles and so on which were sold in the shop alongside 78rpm records, toys, china, pens, you name it. She also ran a lending library from the premises.
This photo shows four generations of our family: Great granny Mattison on the right (writer of the document above), her daughter (also called Julia) in the middle, my mother on the left and me aged three.
     Anyway, to get back to the question in hand, I only know about my 4x great grandmother Jane from my great granny's document. Jane was born on June 6 1794. I've established (from several census returns) that she came from Ireland, but I don't know where in Ireland or what her maiden name was.
This is an extract from the 1841 census, which records Jonas and Jane living on Castle Hill in Richmond (Yorks) with six of their children (in total I believe they had twelve children, although one or two died in infancy). The 'I' in the right-hand column of Jane's entry stands for Ireland as the place of her birth. Jonas was a stonemason. The date of Jane's birth according to this census would be 1801, which doesn't tally with the 1794 on our family document. I'm more inclined to believe the latter -- on census returns people often rounded their age up or down to the nearest 5 and it looks as though both Jonas and Jane may have done that in this instance.
Jonas and Jane lived in this cottage on Castle Hill. According to the census, eight people were living here in 1841, half of them adults.
     To cut a very long story short, that's pretty much all I know about Irish Jane. Without her maiden name it's nigh on impossible to find her in Ireland. Chris Paton's book is an excellent resource which lists a vast number of Irish genealogy resources along with pointers on how best to use them, but no resources in the world can find an unknown 'Jane'. On Ancestry, I managed to draw down a list of 'Janes' born in Ireland at the end of the eighteenth century but, without other clues, it's impossible to know whether any of them is my Jane. There's no record (that I've found) of Jonas and Jane's marriage either in the UK or Ireland (UK more likely, I think, as Jane probably emigrated to England or Scotland as a young woman) and perhaps they never formalised their relationship. Who knows?
     Sometimes you just have to let these things go. Perhaps one day someone else on Ancestry will pin Jane down and I'll be able to borrow their findings. For now, I'm going to leave well alone.