Showing posts with label richmond. Show all posts
Showing posts with label richmond. Show all posts

Wednesday, 17 May 2023

A Richmond (Yorkshire) 'Blow-Up'

My mother, Audrey Carr (née Blease), aged two, with her mother Julia Blease (née Mattison, later Ghent)

Antonioni's 1966's film Blow-Up is a firm favourite of mine, so much so that I named my book of short stories inspired by details in old postcards Blow-Ups. I've blogged about that before and I've also blogged about the wonderful shop that my great-grandparents ran in Richmond, Yorkshire, before WWII: Mattison's Bazaar. In this post I'm going to combine the two.


The urge to write about our family history was strong in both my mother, Audrey Carr, and her mother, Julia Ghent (pictured together, above). And it seems it's just as strong in me, a need that nags away at me and demands to be fulfilled. In fact I've been planning to write about my mum and other members of my family for years and have been accumulating memories and photographs and source material until I now have a mountain of anecdotes and insights just begging to be written up -- except that I've made the task so daunting, now, that I don't seem to be able to get a foothold on that memory-mountain and it's proving hard to get down to the job of turning it all into a book. Where to start? How far back should I go, in order to set up the back story that will make sense of my mother and me and our strange, funny, sad entanglement?

Really, I just need to jump in. I can sort out the final shape of the story once I've written it! So, as I way of coaxing myself into making a start, here's a Richmond 'Blow-Up' which I find very pleasing. My great-grandparents John (usually known as Jack) and Julia Mattison were the figureheads of my family when I was growing up and it seemed as though everything we stood for as a family flowed from them. My great grandfather was a skilled tinsmith who could make almost anything out of sheet metal. My great grandmother was a born businesswoman, tremendously hardworking and singleminded. She ran an ambitious shop, which she named Mattison's Bazaar, in the 1920s and 1930s. It occupied two sites in Richmond market place at different times - I'm not sure of the exact dates when it was at each premises. In the map above, I've coloured them in: the yellow block is next door to the King's Head, the grandest hotel and drinking spot in Richmond. But today we're focusing on the pink location, down at the far end of the market place, next to the much smaller Richmond Hotel. The address was no. 30 The Market Place and it was a long narrow plot, with my great grandfather's tinsmithing workshop down at the bottom, near the little cut-through known as 'Waterloo' (although I see it's now labelled 'Waterloo Street' on Google StreetView).
     The sepia postcard above dates from 1936 and shows Trinity Church (famous for having shops built right up against it) and the Market Cross.This is as close as I can get to the same view on Google StreetView today:

But if we zoom in between the church tower and the obelisk of the Cross it's possible to make out Mattison's Bazaar:

The fascia reading 'Mattison's Bazaar' can be seen fairly clearly above the shop window of the shop on the left. Here's more or less the same closer-in shot on Google StreetView:

In the more recent shot, the shop that was the Bazaar is the central red-brick building, one of two occupied by the Yorkshire Trading Company (in fact I've taken it from 2018 StreetView as there were less cars in that version). In May 2023 (time of writing), it's actually Elixir restaurant.
     It's thrilling for me to see the shop during the period when it was in operation. The rather grand door to the right of the shop window was the entrance to the living quarters above the shop. And I think this derelict structure must be the remains of Jack Mattison's workshop behind the shop:

Here he is inside it (the figure on the right), with his two employees (one of whom was Les Fowler -- on the far left):

He had a good reputation as a maker of metal goods such as pans and kettles. Here's a letter from a satisfied customer (in 1950) who wants to buy another teapot from him. Ms Singh lived a long way away, in Cambridge, so she must have rated Jack's workmanship. I love the way the letter found him even though the address was only approximate. He was very well-known in the town.
But let's continue with our 'blow-up'. We can't really zoom in much further as there isn't much more to be seen in the details of the postcard but... if we focus on the shop door, between the two windows, we can see a vague shape:

Could it be the pale oval of a woman's face, with a white collar below it? I think it could. And there's a reason why I feel fairly confident about it. My great grandmother was a stickler for customer service and always liked a member of her staff to stand at the door of the shop to welcome customers in -- more often than not she would do this job herself (see below). When my granny, Julie, was obliged to leave school at fourteen so that she could work in the Bazaar (something she resented bitterly but, alas, it wasn't at all unusual for the times), she also spent many hours on duty at the shop entrance:

In the right-hand photo, Julie looks as though she has only recently left school; she's older in the picture with her mother. I definitely think that fuzzy oval in the 1936 postcard could be my great-grandmother's face, don't you? In 1936, she would have been about 52 and Julie 26, so I think that photo on the left is of around the same date. I adore the glimpses of the lovely things that were for sale in the shop in these images: the beautiful dolls in particular. 
     These photos reconnect me with my family so powerfully. It's just the shot I needed to get me started with my memoir in earnest.

Sunday, 2 February 2020

A virtual walk around Richmond (Yorkshire)

Although I haven't lived there for decades, I still have a very strong sense of coming from Richmond in Yorkshire. My family on my mother's side have lived there for at least two hundred years and, before that, they lived in and around the villages of Thoralby and West Burton near Aysgarth, in Wensleydale, up the dales from Richmond. The men seem to have been mostly shoemakers and stonemasons, with a few soldiers thrown in.
My favourite painting of Richmond, by John Aldridge, 1955
I'm currently preparing to do a course in memoir-writing at the Faber Academy in London in a few weeks' time. The tutor will be Julia Blackburn and she's the reason why I have paid to attend the course (being normally unwilling to part with money for such things -- my memorable weekend with Martin Parr was the last time I put my hand in my pocket for such a thing). I've loved Julia's books for years and really admire the way she combines original and fascinating subjects with personal material so beautifully.
I've read and loved all of these books by her. My favourite is The Three of Us, because I'm so interested in families. I want to write a family memoir myself and have been gathering source material for it for a long time. I'm hoping the course is going to galvanise me into choosing one of several directions that I can see it taking and then getting on and writing it.
     There's a great reading list for the course which I'm working my way through -- memoirs characterised by a variety of forms, including Jackie Kay's autobiographical poem, The Adoption Papers and Giles Waterfield's novel about his grandparents, The Long Afternoon. The course is structured around the reading list and, I think, will give us the chance to try out different forms for our own autobiographical writing. I'm really looking forward to it.
If only my first home had been the beautiful Gothic house in the centre of the photo but it was the tiny cottage squeezed in next door
As soon as you start thinking about your family and your past, the memories crowd in. My approach is to try to capture as many as I can, even if they're fragmentary. I have hundreds of notes already which I'm going to have to try to put into some sort of order. Many of my earliest memories are located in the tiny cottage above, the one with the deep porch. It belonged to my maternal grandmother and she rented it to my Mum and Dad when they were first married. Inside the rooms were pretty spacious and it didn't feel cramped. There was a back garden that you could also reach down an alley that started a bit further along the road.

The road, called Newbiggin, was cobbled, and my actual earliest memory is of setting off in a car along Newbiggin and, before we reached the end, the back door beside where I was sitting swinging open. I saw the cobbles rushing along beneath me through the opening. No back-seat seatbelts in those days but I didn't fall out.
Newbiggin was down in one of the older parts of Richmond, but when I was nine we moved up to Maison Dieu (pronounced in a no-nonsense Yorkshire way as 'Mason Dew' -- the name came from an old religious hospital that had been there long before). This was a homecoming for my Mum because she had grown up in the tall house at the far right of the postcard above. The postcard shows a view of Maison Dieu from the River Swale down below (and my junior school is in the bottom left corner too). Here's the view from up on the road itself:
My great-granny was very entrepreneurial and, having run a 'department store' called Mattison's Bazaar down in the market place, when WWII broke out and things weren't so good in retail, she bought the red-brick house and let out some of the many rooms to boarders.
     Now imagine that you're crossing the road from that house, at a slight angle to the right, where the pavement rises above the level of the road. You'll be at the front gate of my new home.
The house with the blue door and the white chair outside was now our house. I lived there very happily until I went to university. Ultimately, my Mum lived there on her own before she moved down south to live near me, at the very end of her life. The house was sold and became a Bed & Breakfast. In October 2019 it 'starred' in an episode of Four in a Bed on Channel 4, which gave me a very creepy opportunity to snoop around my own former home. It had been changed around inside: bedrooms had been converted into en suite bathrooms and everything faced in a different direction from before. It was very therapeutic for me to see inside again because it magically cured me of the sad nostalgia I used to have for it!
This picture (above) is looking down Maison Dieu from the top of the road. The red-brick house is on the right, but you can only see the tiniest bit of it; my old house is down on the left, again not really visible. The two white buildings with the little bed of shrubs in front of them were both shops when I was growing up. The smaller, cream building was Mrs Boddy's shop and my mother would constantly send me along there to get things for our tea -- we never planned ahead, it seemed! And both shops had copious stocks of sweeties. I swear I was hardly ever without a quarter of something in my pocket or a chocolate bar. We just didn't think about sugar being bad for us in those days.
This is the aerial view of Maison Dieu. You can see it coming to a point on the left, where it meets Darlington Road, and you can see the little patch of shrubs and work out where the two sweet shops were. You can also see B&B at 43 marked, which was my old house.
Above is the same pointed bit, from an old map. And I've overlaid them as well:
The little area round the corner from the two shops is known as Anchorage Hill, because in 1274 an Anchorite nun was shut up in an 'anchorhold' or cell next to a tiny chapel and remained there for the rest of her life (food and water could be passed to her through a 'squint' or narrow gap in the wall). There's no sign of her cell any more but the chapel building is still there. It was eventually converted into three tiny almshouses in 1618. On the old map above you can see it labelled as 'Bowes' Hospital'. The patron of the almshouses was Lady Eleanor Bowes.
This is the Hospital from one end (above) and this (below) is it from the other end:
It's right next to a garage and so there's a monstrous sign obliterating it. I'm not sure whether anyone still lives there -- I think they might do -- but in 1871 my four-times great grandmother, Jane Mattison was one of the three tenants.
Her husband Jonas, a stonemason, had died in 1855. In the previous census, in 1861, she was still living at home at the bottom of Richmond, in Bargate, with a granddaughter, also called Jane, living in, and a boarder to bring in a spot of rent. But at some point after that she moved up to the almshouses. She lived until 1879, probably in the same place. I think relatives of ours named Thwaites lived in two of the other houses on Anchorage Hill, so they probably kept an eye on her.
Incidentally, this portrait of Elizabeth I, by an unknown artist, was found in one of the almshouses and is now kept safe in Richmond Town Hall -- I wonder if it was in the one my great granny lived in?
If you're still with me on this virtual tour of Richmond, we're turning round again now and heading back towards the town centre.
This is the war memorial at the top of Frenchgate. The big beast of a house on the right is Oglethorpe House, for many years painted a lurid mustard yellow. My mother lived there when she was very little, with her mum and dad, but not for very long. When I was three I went to kindergarten there, which I loved, even though I always had terrible scabs on my knees from falling over on the gravel paths that were all we had to play on.
We can look down Frenchgate from the war memorial: my grandparents and aunts and uncles have lived in so many of the houses in this street!
We're continuing along Pottergate, past this special scented garden intended to appeal to blind people as well as the sighted. I always insisted on running along the wall of the garden when I was little and once, inevitably, fell off, into the rose bushes. I've still got the scar where a thorn just missed my eye.
You can see the red-brick end of a house, on the left. It's the start of a little row of three Victorian houses.
The second and third houses in the terrace share a porch. I'm not going to give anything away here but I stepped through one of the doors under that porch quite a few times when I was a teenager. Teenage kicks were had in the attic... that's all I'm saying (pretty innocent kicks, actually, but even so). Over the road is another gorgeous Gothic house which was converted into a 'cottage hospital' in 1899. It's now a funeral directors'. The road that opens up between the two houses is Quakers Lane, where my best friend lived in a lovely house, just where you can see the orange barriers and some workmen.
This was the bottom of their drive and she and I spent sooooo much time sitting on that bench, seeing who might be coming along.
I could go on and on, wandering around Richmond, to Billy Banks Woods, round the Castle Walk, up and down Lombards Wynd and into every nook and cranny, but I'll stop there. Even though I haven't lived there for over thirty years, I still feel as though I know every paving stone.

Friday, 2 November 2012

Territorial food wars

a saveloy moment
This weekend I've been up North to visit my Dad. While I was there I got it into my head that it would be sweetly nostalgic to revisit my childhood by buying some of the foodstuffs I regularly ate back in the day. And I thought the rest of the family might enjoy joining me on this little trip back in time.
first few Google images for 'Richmond Yorkshire'
Some background filling-in is necessary. I grew up in Richmond in Yorkshire, where my family on my Mum's side had lived for several generations. Above are the first few images that pop up on Google when you search for Richmond -- beautiful, I hope you'll agree. My Dad, on the other hand, grew up in Darlington, some thirteen (long) miles away, across the county line in Co. Durham.
first few Google images for 'Darlington, County Durham'
Darlington is also a nice place -- I'm fond of it -- but not quite so idyllic as Richmond. For my Dad, being made to live over the line in Yorkshire was a kind of constant punishment and perhaps that's one reason why, every Saturday, for my entire childhood, we returned to Darlington to spend the day at his Mum's.
rollmops
 My granny on my Dad's side was a bit of a phenomenon. She was a food machine. She worked in the bakery of a high street bakers and even though she spent all week turning out commercial quantities of cake, she also spent her weekends doing the same. Her seed cake was famous.
seed cake
And she didn't stop at cake. She made beef tea, pancakes, suet puddings plus other things you don't see so much these days: rollmop herrings and tripe and onions. She would make my Mum, my Dad and me three separate meals to eat each Saturday tea time. It was very strange. She was, I think, trying to give us something that each of us would especially like but all three of us hated our dish. My Mum had once said she liked watercress so she would get a huge bunch of watercress and a plate of bread and butter -- every week. I got a plate salad with sliced hard-boiled egg and slices of beetroot. No no no. My Dad got a plate of tripe and onions which he hated so much he could hardly bear to put it in his mouth.
tripe and onions in white sauce
But such was the esteem -- or fear -- in which he held his mother that he ate the tripe every week without demur. I remember him hissing at me (often), 'Don't say anything! Just eat it...' or some such. It was very strange. My granny was a true North-Easterner and embodied ways of eating that must have gone back generations. I truly believe that the rollmops were a throwback to Viking times.
saveloy, savoury duck and pease pudding (modern versions -- not quite the same)
Each Saturday, when it was time for us to return across the border to Yorkshire for another week -- after we had watched The Generation Game but in good time to be home in front of our own telly for the start of Starsky and Hutch or Kojak -- it would be time to pack up the car with the trayloads of cakes that Granny had made for us that week. My Dad used to despair at them. He used to take them to work and hand them out in the staff room in an effort to cope with them. And as well as the cakes there'd be packets of saveloys, savoury ducks and perhaps a dab of pease pudding in a bit of greaseproof paper from Taylor's the butchers in Darlington town centre. And sometimes polony too. Or smoked sausages that we called 'joeys'.
Starsky and Hutch
It was the 1970s but we still lived according to Victorian rhythms -- at least my Dad did. His natural time to eat his evening meal was about 4pm. Then, at around 9pm, he liked to have his 'supper' -- some sort of fried snack, usually. And that's where the saveloys et al came in. After we had thrilled to Starsky and Hutch (I always watched it, never could follow the plots), he would get the frying pan out and fry up whatever his mother had sent in the way of butcher's products. Was it only us, or was it taboo to wash the frying pan in those days? I can't bear to think about it... The saveloys were sliced in two lengthways, peeled and fried. A large, fatty sandwich was the usual end product. Brown sauce was essential. I remember enjoying it all mightily.
     So... all this is leading up to our pilgrimage, on Monday, to the long-established butchers in Stockton, which is nearer to where my Dad now lives than Darlington. When he and my Mum got divorced he was back into the 'proper' North East faster than Roadrunner. I bought saveloys, ducks and pease pudding and I thought it would be fun to cook them all up when we got back home and for my children to enjoy the food their Mum had as a kid. Well, you can't imagine the deep suspicion and disdain my husband and kids displayed: noses wrinkled, lips curled, eyes narrowed. Not wanting to force the issue, I made a kind of fry-up buffet so they could help themselves. And there were baked beans, toast and so on to make it all less alienating. What a fuss! Tiny mouthfuls were reluctantly nibbled. Most of it was left then thrown away.
     And the worst thing of all was that even I didn't enjoy it very much. I didn't get the Proustian memory I was hoping for. The saveloys didn't seem to have the soft, granular texture I remembered. The duck just tasted ... wrong. The pease pudding was ... nothing special. It was very sad. That will teach me to try to recreate the past.
This will cheer me up -- a Gallery Five cat. Gallery Five decorated my childhood