Showing posts with label Tate St Ives. Show all posts
Showing posts with label Tate St Ives. Show all posts

Sunday, 30 June 2019

Away BACK To Lamorna



A beautiful aquatint of Lamorna Cove by Geoffrey Sneyd Garnier (Penlee Museum & Gallery, Penzance)
We've just come back from a week in Cornwall and there's a little bit of a story to why we stayed where we did. It only seems like a couple of years since we were last there, but I see from my blogpost about it that it was April 2012! That first time, we stayed in the second house from the left in the terrace (above), but we saw that the next-door house was much nicer than the one we were in. Through the large bay windows we couldn't help but notice beautiful paintings on the walls, stacks of lovely china in the alcoves and attractive furniture. In fact we even found ourselves at an auction on the same day as next-door's tenants (at David Lay in Penzance -- very good) and later we saw all their beautiful purchases laid out in their window (this made a strong impression on me as success at an auction is something I value highly). It turned out to be possible to rent that next-door house for holidays and so this time it was us in the beautiful house, which we now know is called Cove House.
Cove House (on the left with two bay windows and extension)
In the comments book, someone had described the house as 'Kettles Yard by the sea' and it certainly has that flavour. There's enough modern stuff to enable life to be lived more or less as normal (hot water, big cooker, small TV and so on) but otherwise one feels one has passed through a membrane into the past.
I liked the old flags used as curtains in the bathroom and the stacks of chunky Portmerion mugs with Bewick prints on them in the kitchen.
There was a wonderful lamp with prints clipped to the shade -- too frail to use but splendid to look at:
Dora makes a determined stand for modernity
My favourite object in the house was this strange little figure:
There was a brand name on the back, or perhaps it was even a marketing slogan, but I forgot to make a note of it. If anyone knows anything about her mysterious ballbearing anatomy, please leave me a comment about it.
     The best thing about Cove House is really its location, right down by the sea in front of the little harbour (and, necessary evil, the car park) at Lamorna Cove. You can have your feet in the sea in half a minute, or you can be sitting in the little enclosed garden in even less time. The sea performed a full repertoire for us, from emerald calm to silvery seething to foamy waves -- always mesmerising.

The whole of the Cove is privately owned and changed hands recently, causing some anxiety. Parking is very strictly overseen, although a parking place comes with the house booking (plus another one in the tiny garage, if you should happen to drive a miniature car). I have very fond memories of having the crab and fish soup at the cafe decades ago when I spent two Christmases in St Ives with my mum -- they still serve the soup but the bowl of it that I had this week wasn't the splendid rich concoction of memory (and some reviewers on TripAdvisor seem to agree with me). But times change. As do I -- against my better judgment, here are a couple of photos of me from the first time I went to Cornwall, in the mid-Eighties. Note the legwarmers...

On one of the front windows of Cove House is a little notice, part of the advertising of it as a holiday rental:
This intrigued me greatly. I adore Arnold Bennett's Potteries novels and it was exciting to think that we were staying in a house he once stayed in -- although having tried to psych myself up to a pitch of 'resonance' with AB, I decided in the end that it's impossible to get a real sense of a person's presence from being in a place they once were. Still, he probably slept in the same bedroom and looked out at the very same view. I decided, as soon as I got home, to try to research his visit (or perhaps visits) in more detail. Stop here if you don't want to wade into a long episode of sleuthing...
     In the postcard on the window (above), which is dated 1908, Cove House is not actually there. To begin with there were only three houses in the terrace -- Cove House was built later. You can see that the building materials are a little different in the earlier photo of the house exterior. And the little extension was built later still. This is borne out by comparing this map, from the decade of 1900-1910...
The three houses in the terrace are just to the left of the footbridge. Although there's hard-standing for another house, there isn't actually a building there
...with this one from the 1960s:
Cove House has now been built and is named on the map
Alas, I haven't found a map for the decades in between so can't pinpoint exactly when the house was built. It was probably between about 1910 and 1920, I think.
     Here's an old photo of Cove House before the garage extension was built:

Now here's a postcard from the Sixties, with the garage now added:
The whole cove had been developed by this stage, with a car park, sea wall and slipway. The cafe has been created on the left as well. But I think that Cove House was perhaps also run as a tea room in the 1930s.
     In her biography of Arnold Bennett of 1974, Margaret Drabble says that Bennett came down to Cornwall for a six-week stay in July and August 1930, right at the end of his life (he would die of typhoid from drinking tap water in Paris the following March). He came with his partner, the actress Dorothy Cheston -- they don't seem to have brought their four-year-old daughter Virginia with them. He had just finished his last (full) novel, Imperial Palace, an epic contemporary story built around the running of the Savoy Hotel. Bennett was a celebrity and there was interest in where he had chosen to spend his holiday:
Birmingham Daily Gazette, 18 August 1930
Shortly after Bennett's death, this letter appeared in the Staffordshire Sentinel (27 April 1931):
It's this letter that makes me think that Cove House functioned as a tea room -- the 'unpretentious little cottage, one of a row, facing the water'. As a publisher myself, it's exciting to imagine Bennett sitting in our holiday cottage correcting his proofs!
     Although Imperial Palace was Bennett's last completed novel, when he returned to London in September (following a short cruise on a friend's yacht), he began another novel, Dream of Destiny, which he would not finish. In this, he has a character declare:
And in a letter from Cornwall to his nephew Richard, Bennett wrote, 'On the whole, this is certainly the best English holiday I have ever had, and one of the very cheapest.' He went on:

Later in the holiday, at the end of July 1930, the couple moved up to Trewoofe (pronounced 'Trove'), a comfortable house at the top of the lane that leads down to Lamorna Cove, owned by the Shaws. Their daughter was the excellent painter Dod Procter.
     Bennett's final verdict on his Cornwall staycation (which, as far as I know, was his only visit to the county) comes in a further letter to his nephew:
And I agree with every word of that.
'Green Sea, Lamorna Cove' by Dame Laura Knight -- the sea was even greener than this during our stay

The green sea, and Porthmeor Beach, seen through the window of one of the studios in the St Ives School of Painting, last week
If you'd like to stay in Cove House yourself, you'll find all the details here: http://www.lamornacovehouse.com/ (btw, none of the above is intended to 'advertise' the house, it's just written out of my interest in a lovely place!)

Thursday, 19 April 2012

Away Down to Lamorna

Last week we were lucky enough to stay in a rented house down by the sea at Lamorna Cove in Cornwall. The hedges were full of blossom and the broom was out, splashing everywhere with bright yellow. Above is the view from the path above the house.
We were right down in the cove at the end of the wooded valley where quite a lot of artists have lived or stayed in the past. At the Village Hall the artists' group started by Samuel John 'Lamorna' Birch was still going strong and having a show which included work by Lamorna Birch's grandson and his wife -- they still live in the same house that Lamorna Birch owned, which I think is the white house towards the top right of my photo above. I talked to the lady looking after the exhibition and she lives and works in the 1920s studio built for Laura Knight by Alfred Munnings. I spotted it from the road later and it looked beautiful. I was so envious! Apparently a film crew had just finished filming Summer in February which is a novel based on the arty goings-on in Lamorna Cove in the 1920s -- I've just ordered the book. It sounds wonderful and I'm looking forward to the film as well (out in September)
     Alfred Munnings' own house has been converted into a very lovely upmarket (but friendly) hotel called The Cove now. We ate at the restaurant there one evening and were so taken with it that we went back another night. These are the gorgeous drinks we had before we ate:
Mine was the capairinha with all the limes. Hooked on those now. The middle one was alcohol-free for Dora with sorbet and strawberries...
     We had the writer A.N. Wilson as a neighbour for a week which was interesting but we all kept ourselves strictly to ourselves -- no 'Tamara Drewe'-ish vibes! I can't help but think of Posy Simmonds when I go down to Cornwall.
These giant triffids were growing in the stream just outside the house. Gunnera, I thnk?

We had a pretty free-form week, dotting about here and there. St Ives  was not the same as I remember it from Christmases there with my Mum when it was wonderfully quiet and mild -- this time it was crazily busy but we went to the Tate to see the exhibition by Simon Fujiwara who, his Japanese heritage notwithstanding, grew up in Carbis Bay, just along from St Ives. It was a very strange assortment of installations based on fictionalised aspects of the artist's life. The room I liked best was where he had created huge models of lighthouses taken from paintings by Alfred Wallis. These reminded me strongly of the lighthouse that appears at the end of Marianne Dreams, one of my absolute favourite childhood books.
We had some beautiful walks, which almost killed me, so unfit am I (in spite of continuing to run round and round downstairs nearly every morning...). Some were along the coastal path and some ventured inland. This painting by Lamorna Birch really captures the sun and the fresh air of these walks:
We even came face to face with a real cow when we had to cross a farmyard:
Of course I fancied myself in a pair of 'artist's trousers' painting en plein air, like this chap...
portrait of Stanley Gardiner by Richard Copeland Weatherby
... but I only got as far as drawing a few shoes one rainy morning.
spooky derelict engine shed nr Cripplesease
We went to view an art sale in Penzance, thinking that if there was a picture we really loved we might go to the auction and see if we could get it -- we used to be keen on auctions before we had kids. It was a big sale with about 500 paintings, some of them by well-known artists such as Wilhelmina Barns-Graham and Terry Frost, but they all looked a tiny bit shabby and insignificant, hanging cheek by jowl in the auction room. It was very interesting to view the pictures in that non-museum context -- you could handle most of them and really scrutinise them. The estimate prices were quite high and the only one I felt any feeling for was this one by Wilhelmina Barns-Graham:
But the estimate was £2-3K and that was out of my price range!
Mousehole from Raginnis Hill by William J. George
We went to Mousehole one day -- absolutely lovely, much closer to how I remember St Ives being. And to Cape Cornwall which, in a similar way, was how Land's End should really be, but it's just a bit further up the coast. That was beautiful too. We saw General de Gaulle having a float in the sea there:
Penzance is nice, with some mad second-hand emporia, and a very nice place to have breakfast: the Artist Residence (also a hotel -- looked very cool). It was a very lovely coincidence that while we were there I was reading Patrick Gale's novel, Notes from an Exhibition which is set in Penzance and is the story of a woman artist and her family. I can't recommend this novel highly enough for anyone who loves art and/or Cornwall. It was the best holiday read I could imagine and even includes the author's personal tour of Penzance in the back.
St Michael's Mount seen across Penzance Harbour
Well, I think that's about it. I'll just finish off with a few stray photos.
fishing nets
crow on a roof in St Ives
shadows on the wall in our holiday house